Blackmagic Designed Its New ‘Pocket Cinema Camera’ around 4K Video
“Blackmagic Designed Its New ‘Pocket Cinema Camera’ around 4K Video”: Blackmagic Design has unveiled a new version of its “blackmagic pocket camera”, and this one comes with some major improvements to 4K video.
Firstly, the new best Pocket Cinema 4K Camera can actually shoot in 4K, unlike the original version, which was limited to 1080p. Like its predecessor, the new model can capture this footage in 10-bit ProRes or 12-bit RAW; but unlike its predecessor, it can record directly to external drives via USB-C, which is a huge advantage when recording immensely large 4K RAW files. The new version should be released later this year for $ 1,295 ($ 300 more than the original).
Although the camera is small for a movie camera, it’s not exactly small – and it’s definitely bigger than the old version. This new model makes room for a 5-inch screen on the back, instead of a 3.5-inch screen. And it includes a full-sized Four Thirds Micro sensor while the older model was closer to the Super 16. This will be useful for depth of field and low light (which are already sore spots on Micro Four Thirds cameras), while still allowing it use any of the common lens mount lenses used by Panasonic, Olympus and others. This ‘black magic pocket camera review’ is very nice and its “best compact cameras for professional photographers”.
“Blackmagic pocket camera” is known for creating professional video tools, and also ‘best pocket camera’ to broadcast equipment, to industry-standard color grading software. It’s launching smaller movie cameras in the price range of thousands of dollars over the past five years, which have earned followers among amateur and low-budget filmmakers.
All cameras offer professional tools and options at a considerably lower price than you would have to pay for a real-life movie camera. While this is becoming less and less special as these features move to cameras like Panasonic’s GH5, the “Blackmagic pocket camera” line continues to stand out, putting a clear focus on video and shooter needs.
The new “Pocket Cinema 4K Camera” has a ton of features that will appeal to this market – such as a mini XLR connector, LUT support and 4K recording at 60 fps – but still have limitations that will keep the camera confined to a niche audience (which, to be fair , is the kind of truth of each camera). Basically, unless you are a filmmaker who normally controls the lighting and the overall mood in which they will be filming, that camera is probably not for you. It has no stabilization in the body, and the small sensor will have difficulties in low light and will need adapters to get the depth of field you would get from full frames or even Super 35 cameras. This may not matter to some filmmakers, but it may be a problem for people in fast sessions or for unfamiliar places.